|Bid||382.98 x 1100|
|Ask||383.19 x 1000|
|Day's range||380.70 - 387.32|
|52-week range||252.28 - 392.95|
|Beta (5Y monthly)||1.48|
|PE ratio (TTM)||92.99|
|Earnings date||13-Apr-2020 - 19-Apr-2020|
|Forward dividend & yield||N/A (N/A)|
|1y target est||364.84|
The Zacks Analyst Blog Highlights: Microsoft, Netflix, Adobe, International Business Machines and Apple
The Zacks Analyst Blog Highlights: Facebook, Netflix, NextEra Energy, GlaxoSmithKline and T-Mobile US
Hastings co-wrote "No Rules Rules: Netflix and the Culture of Reinvention" with Erin Meyer, the author of "The Culture Map", detailing how company culture transformed Netflix from a U.S. DVD service to a global streaming pioneer, according to a press release. The book is expected to hit shelves on May 12 and details Hastings' corporate philosophy and set of management principles, as well as stories from his own career.
We break down Roku's Q4 2019 financial results. And see what to expect from the streaming TV firm to decide if investors should consider buying Roku stock on the dip, with Disney, Netflix, and others all set to expand their customer base?
The U.S. government has never been a model of consistency but lately the inconsistencies—foolish and otherwise—emerging from Washington directed at the tech industry have become truly mind-blowing.
French media conglomerate Vivendi said on Thursday it planned to list its most-prized asset, Universal Music Group, by early 2023 at the latest. Vivendi, controlled by billionaire Vincent Bollore, said Universal yielded record profits in 2019, with earnings before interest, tax and amortisation jumping by 22% at constant currency and perimeter from a year earlier to 1.12 billion euros ($1.21 billion).
Alibaba, NETGEAR, Netflix, The Walt Disney Company and Sony highlighted as Zacks Bull and Bear of the Day
This week, Bong Joon-ho’s Parasite, a South Korean masterpiece, became the first foreign language film to earn the industry’s top prize. Parasite is a bellwether of an arguably greater change, propelled by translation algorithms and an unsustainable war among rival TV streaming services. Each media earnings announcement from Hollywood and Silicon Valley highlights the ferocious competition among Disney+, Hulu, Alphabet’s YouTube TV and AT&T’s WarnerMedia; the investment needed to compete with Netflix (167m global subscribers) and Amazon Prime (150m subscribers) also becomes evident.
Netflix’s prized Martin Scorsese-directed crime drama “The Irishman” went from being the platform’s strongest award show contender to ending the night with zero recognition.
China's BYD is embracing what Fuyao, the subject of Oscar-winning documentary "American Factory," resists.
An Oscar win can mean millions for an actor’s bank account with stars on average receiving an additional 60% boost in pay, according to Money Nation.
Parasite, the low-budget Korean thriller directed by Bong Joon-ho, swept the biggest prizes at the 92nd Academy Awards, making history for a non-English language film. At the movie industry’s biggest night, Mr Bong said he would “drink until next morning” as he accepted Best Picture, the most coveted award, beating films by Hollywood establishment figures Martin Scorsese and Quentin Tarantino and the might of technology giants such as Netflix. In more than nine decades of the Academy Awards, no movie in a language other than English has ever won the big prize, Best Picture.
Apple's wearables business is poised to pop, regulators are combining resources to investigate Alphabet (GOOGL) and Microsoft (MSFT)-owned LinkedIn changes its CEO.